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Who wrote luther vandross songs11/10/2022 ![]() ![]() Vandross wrote one of the key songs for the famous Wiz – 'Everybody Rejoice', and it soon became apparent to him that it was time to really do something with his own group. Obviously a multi-talented gentleman, Mr. ![]() Luther was also to be heard with Diane from the group on Bette's single, 'Strangers In The Night'. In the meantime, Luther had been recommended to Bette Midler and he worked three of the vocal arrangements for the lady's Clams On A Half-Shell Revue. Then the late '75, Anthony and I," explains Luther, "went out with Todd Rundgren." "We were on sessions with so many people: Linda Lewis, Gary Glitter, Maggie Bell, the Brecker Brothers, Judy Collins, Martha Reeves. The tour ended in December 1974 and throughout 1975, Luther did a very great deal of background work. B took time out to record one of Luther's songs, which he re-titled 'Fascination'. We had the opening spot for David too, on which we did a combination of original material and other people's songs."ĭuring the tour, Mr. "We came along at a time when David was going through a concept change and we think we were partly responsible for it. It was but a matter if time before David asked the group on tour with him. Next thing Luther knew he was down at Philly's Sigma Sound Studios working out the vocal arrangements for Bowie's Young Americans album. The big break for the group came when one of the Main Ingredient's guitarists, Carlos Alomar was recommended to David Bowie for a session on Britain's own Lulu by Tony Silvester. But we didn't have any product out whilst we were there, there were problems over the budget, to be honest." "In the summer of '73, we signed with Avco Embassy and worked with Paul Riser and we were there for a year. Prior to that there was no question that Luther was going to be into music as a profession – "I'd sit around singing with records by Shirelles and Patti Labelle whilst everyone was out playing baseball!" But a couple of years later Luther was getting it together in the recording studios. Then, we were members of a workshop – Peter Long's Listen My Brother in New York." "Well, Diane and I went to school together and we met up with Anthony – the three of us were singing together for a good while, since '66. The group's main man is Luther Vandross – who wrote and produced the album – and he started the ball rolling by relating the very beginnings of Luther as a group. The five-member unit (three girls, two guys) were happy to explain how they first got together and to talk about some of their plans for the future. 'It's Good For The Soul' is already paving the way for the group's debut album which was completed but a few weeks back in their hometown, New York. They are not headliners yet, but they've been putting in a lot of groundwork on building a solid reputation…ĬURRENTLY creating a good deal of interest with their debut single for the newly-reactivated Cotillion label is Luther. Luther consists of three girls and two guys whose debut single for Cotillion is attracting a lot of attention. This is one of the better R&B albums of the early '80s.June 1976, in person interview at the office of Simo Doe, Atlantic Records, Rockefeller Plaza, New York City The same vocal savvy and smooth styling that the New York City native exhibited on songs like "Searching" and "Glow of Love" resurface here. In addition to his many music credits, Vandross was a featured guest vocalist with the progressive band Change. Though it was never an official release by the label, it's a quiet storm jewel. Vandross orchestrates a contemporary masterpiece with this vintage number. "A House Is Not a Home" is the only ballad, and an elegant one it is, written by Burt Bacharach and Hal David and originally sung by Dionne Warwick nearly 20 years prior. However, this feverish number gets all the juices flowing as does the unreleased "I've Been Working." Also featured on this set is the sentimental number "You Stopped Loving Me." The song was written by Vandross but initially released by Roberta Flack both versions stand tall. "Sugar and Spice" had less of an impact on the charts due to its short stay of six weeks. The mellow groove of "Don't You Know That," which checked in at number ten, was the second single. The title track stormed up the Billboard R&B charts to number one where it remained for two weeks. ![]() ![]() Vandross concocts a bouncy, vibrant flow on his up-tempo numbers and an intimate, emotional connection on his moderate grooves and his lone ballad. The debut solo album from Luther Vandross featured one outstanding song after another. ![]()
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